Yohji Yamamoto spring / summer 2004
This Spring collection, he said, was an exercise in “doing something graphic.” That meant working squares of fabric, linked Paco Rabanne–style with metal rings, into many variations of bodices, which came attached to long, flowing skirts. The surprise was the sense of body that came through—literally. Though he stayed almost entirely with his habitual black, cutting pinafore dresses and overalls suspended from complex straps and ties, the torso beneath was naked, save for body paint, applied in chalky blocks by Shiseido. The focus was mainly on evening, save for a series of arty takes on that most American of classic looks: the white tee and jeans. Skintight gauze T-shirts, again stretched over painted torsos, were paired with baggy, low-hanging, washed-out denims, a cross-bred version of hip-hop pants and Japanese workwear. The one shot of color in the show arrived in the footwear: chunky foam platform flip-flops—some attached to toeless, heel-less neoprene socks—in bright red, leaf green, turquoise, and yellow, that came over as a sporty take on Japanese geta.
these are a few of my favorite things►tv shows - avatar: the last airbender
↳"My grandmother used to tell me stories about the old days, a time of peace when the Avatar kept balance between the Water Tribes, Earth Kingdom, Fire Nation, and Air Nomads. But that all changed when the Fire Nation attacked. Only the Avatar mastered all four elements. Only he could stop the ruthless firebenders. But when the world needed him most, he vanished."